{"id":32,"date":"2020-07-15T00:08:15","date_gmt":"2020-07-14T23:08:15","guid":{"rendered":"https:\/\/www.theguitar.rocks\/?p=32"},"modified":"2020-07-15T00:08:15","modified_gmt":"2020-07-14T23:08:15","slug":"bbc-music-review-of-hollie-cook","status":"publish","type":"post","link":"https:\/\/theguitar.rocks\/?p=32","title":{"rendered":"BBC &#8211; Music &#8211; Review of Hollie Cook"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p>In a blindfold test, this dub collection could pass for a 1970s original, or at least a 1980s <a rel=\"nofollow\" href=\"http:\/\/www.bbc.co.uk\/music\/artists\/cbfcdb48-c199-45af-80da-100d4e53253e\">Adrian Sherwood<\/a> production-warping of Jamaican experimentations. Instead, the reality is that modern-day producer <a rel=\"nofollow\" href=\"http:\/\/www.bbc.co.uk\/music\/artists\/e5c1825b-8d27-47de-9c6b-a2d6cde9be0a\">Prince Fatty<\/a> has versioned London singer <a rel=\"nofollow\" href=\"http:\/\/www.bbc.co.uk\/music\/artists\/806139a2-556b-45d8-bc5e-93e3d898e4ad\">Hollie Cook<\/a>\u2019s 2011 <a rel=\"nofollow\" href=\"http:\/\/www.bbc.co.uk\/music\/reviews\/v59p\">debut album<\/a>. Fatty (aka Mike Pelanconi) is not particularly a dub reggae specialist. The form is just one of his many stylistic outlets, which makes the authentic depth of this analogue fetishist\u2019s immersion all the more impressive.<\/p>\n<p>Hollie is the daughter of <a rel=\"nofollow\" href=\"http:\/\/www.bbc.co.uk\/music\/artists\/e5db18cb-4b1f-496d-a308-548b611090d3\">Sex Pistols<\/a> drummer Paul Cook, continuing the old connections between punk and dub. She was even part of the recent line-up of The Slits. Cook\u2019s vocals bring another element, though. The sweetness of her voice calls up Lovers Rock comparisons, or maybe a feminine continuation of <a rel=\"nofollow\" href=\"http:\/\/www.bbc.co.uk\/music\/artists\/2027b08d-45b1-4fb5-aa6d-f6ccc4db78e5\">Horace Andy<\/a>\u2019s style. Other precedents could be <a rel=\"nofollow\" href=\"http:\/\/www.bbc.co.uk\/music\/artists\/527c65d1-9fdb-4482-8796-dde2980bd63a\">Neneh Cherry<\/a> or <a rel=\"nofollow\" href=\"http:\/\/www.bbc.co.uk\/music\/artists\/b9313805-5fe0-4f1b-9f5c-9e52565a5a3d\">Nicolette<\/a>.<\/p>\n<p>It\u2019s unusual to have a singer so upfront and constant in a dub production. Customarily, a vocal fragment will rear up and then submerge, to be replaced by sheer space, or spurts of bass, drum or keyboard echoes. The shivery ghost-keys, infinity guitar and bass molasses are present here, of course, with Crying Dub being particularly low-slung, loaded with swampy vocals, clipped keys and a seductive tenor saxophone solo. <\/p>\n<p>For Me You Are Dub involves a radical dispersion of matter: dub as narrative, its phases shifting briskly, within three minutes. It\u2019s another inspirational three minutes when <a rel=\"nofollow\" href=\"http:\/\/www.bbc.co.uk\/music\/artists\/91d01e5f-252d-469d-a16a-12c613e48e5d\">The Shangri-Las<\/a> are indirectly subjected to dub methods on Walking in the Sand. It\u2019s the freshness of youth versus old-school ocean-floor plummeting.<\/p>\n<p>Cook invests this uncompromising dub soundscape with her pop-attuned approachability. The album\u2019s thundering wobble certainly can\u2019t be deemed a result of any flabbiness. Such sonic extremity is normally out on the perimeter, but Cook gives the experimentation a specific emotional depth charge.<\/p>\n<\/p><\/div>\n<p><br \/>\n<br \/><a href=\"http:\/\/www.bbc.co.uk\/music\/reviews\/f3wx\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In a blindfold test, this dub collection could pass for a 1970s original, or at least a 1980s Adrian Sherwood production-warping of Jamaican experimentations. Instead, the reality is that modern-day producer Prince Fatty has versioned London singer Hollie Cook\u2019s 2011 debut album. Fatty (aka Mike Pelanconi) is not particularly a dub reggae specialist. The form [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":33,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[119,149,148,103,120],"class_list":["post-32","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","tag-bbc","tag-cook","tag-hollie","tag-music","tag-review"],"_links":{"self":[{"href":"https:\/\/theguitar.rocks\/index.php?rest_route=\/wp\/v2\/posts\/32","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theguitar.rocks\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theguitar.rocks\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theguitar.rocks\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/theguitar.rocks\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=32"}],"version-history":[{"count":0,"href":"https:\/\/theguitar.rocks\/index.php?rest_route=\/wp\/v2\/posts\/32\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theguitar.rocks\/index.php?rest_route=\/wp\/v2\/media\/33"}],"wp:attachment":[{"href":"https:\/\/theguitar.rocks\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=32"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theguitar.rocks\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=32"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theguitar.rocks\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=32"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}