{"id":88,"date":"2020-08-24T18:28:45","date_gmt":"2020-08-24T17:28:45","guid":{"rendered":"https:\/\/www.theguitar.rocks\/?p=88"},"modified":"2020-08-24T18:28:45","modified_gmt":"2020-08-24T17:28:45","slug":"bbc-music-review-of-regina-spektor","status":"publish","type":"post","link":"https:\/\/theguitar.rocks\/?p=88","title":{"rendered":"BBC &#8211; Music &#8211; Review of Regina Spektor"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p>The clich\u00e9 about <a rel=\"nofollow\" href=\"http:\/\/www.bbc.co.uk\/music\/artists\/fbb375f9-48bb-4635-824e-4120273b3ba7\">Regina Spektor<\/a> is that she&#8217;s quirky, kind of a kook \u2013\u00a0the indie Phoebe from Friends. Like most clich\u00e9s, it&#8217;s not completely unwarranted: she used her last album to imitate dolphin noises and once wrote a song called Reading Time with Pickle. It features the memorable line: &#8220;Ingredients: water, salt, cucumber, garlic and pickling spices.&#8221;<\/p>\n<p>There&#8217;s fresh eccentricity on Spektor&#8217;s sixth album, What We Saw from the Cheap Seats. The Russian-born New Yorker sings much of Oh Marcello in a cod-Italian accent best suited to a pasta sauce advert. On a song called The Party, she compares her paramour to &#8220;a big parade through town&#8221;\u2026 and then imitates a trumpet. Elsewhere, she does her &#8220;impression&#8221; of the drums. To British ears, the result doesn&#8217;t sound like beat-boxing; it sounds like EastEnders ending on a cliffhanger.<\/p>\n<p>At times, Spektor can be too cutesy \u2013 does she need to refer to New York City&#8217;s northernmost borough as &#8220;the Bronxy Bronx&#8221;? More often though, her little idiosyncrasies are charming. Of course, it helps that they nestle with some nifty melodies: Spektor likes a pop chorus almost as much as a vocal tic.<\/p>\n<p>Besides, the quirkiness is really a corollary of Spektor&#8217;s lack of inhibition \u2013 as a performer, yes, but also as a songwriter. On the surface, What We Saw from the Cheap Seats is an album of piano-based pop songs, but thematically, it&#8217;s more varied. Cryptic confessionals knock shoulders with character sketches, the odd sort-of-love song and even some social commentary.<\/p>\n<p>All the Rowboats takes aim at museums filled with masterpieces, calling them &#8220;public mausoleums&#8221;, while Ballad of a Politician is a crisp vignette about a networker. Thankfully, neither of these tracks contains that reference to &#8220;the Bronxy Bronx&#8221;.<\/p>\n<p>Spektor is also capable of being very affecting. The album&#8217;s centrepiece is a break-up ballad called How that already sounds like a classic. At the song&#8217;s climax, Spektor needs just six words to capture all the stinging sadness of losing a lover&#8217;s intimacy: &#8220;You are a guest here now.&#8221;<\/p>\n<p>Really, the truth about Regina Spektor is that quirky isn&#8217;t the half of it.<\/p>\n<\/p><\/div>\n<p><br \/>\n<br \/><a href=\"http:\/\/www.bbc.co.uk\/music\/reviews\/wm9p\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The clich\u00e9 about Regina Spektor is that she&#8217;s quirky, kind of a kook \u2013\u00a0the indie Phoebe from Friends. Like most clich\u00e9s, it&#8217;s not completely unwarranted: she used her last album to imitate dolphin noises and once wrote a song called Reading Time with Pickle. It features the memorable line: &#8220;Ingredients: water, salt, cucumber, garlic and [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":89,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[119,103,278,120,279],"class_list":["post-88","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","tag-bbc","tag-music","tag-regina","tag-review","tag-spektor"],"_links":{"self":[{"href":"https:\/\/theguitar.rocks\/index.php?rest_route=\/wp\/v2\/posts\/88","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theguitar.rocks\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theguitar.rocks\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theguitar.rocks\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/theguitar.rocks\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=88"}],"version-history":[{"count":0,"href":"https:\/\/theguitar.rocks\/index.php?rest_route=\/wp\/v2\/posts\/88\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theguitar.rocks\/index.php?rest_route=\/wp\/v2\/media\/89"}],"wp:attachment":[{"href":"https:\/\/theguitar.rocks\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=88"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theguitar.rocks\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=88"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theguitar.rocks\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=88"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}