{"id":92,"date":"2020-08-25T03:37:49","date_gmt":"2020-08-25T02:37:49","guid":{"rendered":"https:\/\/www.theguitar.rocks\/?p=92"},"modified":"2020-08-25T03:37:49","modified_gmt":"2020-08-25T02:37:49","slug":"bbc-music-review-of-sugar","status":"publish","type":"post","link":"https:\/\/theguitar.rocks\/?p=92","title":{"rendered":"BBC &#8211; Music &#8211; Review of Sugar"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p>The music and influence of the pioneering Minneapolis hardcore band <a rel=\"nofollow\" href=\"http:\/\/www.bbc.co.uk\/music\/artists\/5c4c90a4-539f-4101-83cf-301bc6a94e06\">H\u00fcsker D\u00fc <\/a>was investigated brilliantly in Michael Azerrad\u2019s 2001 book on the 80s alternative underground, Our Band Could Be Your Life. But for <a rel=\"nofollow\" href=\"http:\/\/www.bbc.co.uk\/music\/artists\/d7f5305a-15fc-4af4-a61b-f6f45510cc8f\">Bob Mould<\/a>, H\u00fcsker D\u00fc was his life \u2013 and going on the stories, tales of financial penury, addiction and interminable band squabbling, it was a pretty miserable existence<\/p>\n<p>His work with Sugar \u2013 the power trio he formed in 1992, four years after H\u00fcsker D\u00fc\u2019s demise \u2013 feel like an attempt to wash away the angst of the post-punk years, to try on a sunny expression and see how it felt. And while Sugar were themselves short-lived, their music, particularly that collected on excellent debut album Copper Blue, sounded like salvation.<\/p>\n<p>Copper Blue hit it big, selling hundreds of thousands of copies and scoring NME\u2019s 1992 Album of the Year. In part, this was down to timing. The alternative rock movement that H\u00fcsker D\u00fc helped usher in was booming, thanks to the stratospheric success of <a rel=\"nofollow\" href=\"http:\/\/www.bbc.co.uk\/music\/artists\/5b11f4ce-a62d-471e-81fc-a69a8278c7da\">Nirvana<\/a>\u2019s <a rel=\"nofollow\" href=\"http:\/\/www.bbc.co.uk\/music\/reviews\/9pj9\">Nevermind<\/a>. But Copper Blue also contains some of Mould\u2019s brightest, most brilliant writing.<\/p>\n<p>Subject-wise, it is not exactly light: the <a rel=\"nofollow\" href=\"http:\/\/www.bbc.co.uk\/music\/artists\/b6b2bb8d-54a9-491f-9607-7b546023b433\">Pixies<\/a>-esque A Good Idea is the tale of a man who drowns his lover, and The Slim recounts the death of a friend from AIDS. But the arrangements froth with melodies, gold-plated choruses stretch out a mile, and an expanded instrumental palette \u2013 witness the synthesisers and harpsichords that adorn the lilting, 60s-tinged Hoover Dam \u2013 mean each song comes out gleaming with a rare lustre.<\/p>\n<p>This generously expanded edition brings with it a wealth of extra material, including numerous B sides (including a fine solo mix of the breezy, acoustic If I Can\u2019t Change Your Mind), a four-track BBC session and, on a second disc, a live set from the Cabaret Metro in Chicago.<\/p>\n<p>Those that adore Copper Blue are also directed towards the following year\u2019s Beaster EP, songs from the same sessions but of a darker hue. Similarly reissued in expanded form it presents proof that, even on sunnier days, Mould still had angst to burn.<\/p>\n<\/p><\/div>\n<p><br \/>\n<br \/><a href=\"http:\/\/www.bbc.co.uk\/music\/reviews\/z9zb\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The music and influence of the pioneering Minneapolis hardcore band H\u00fcsker D\u00fc was investigated brilliantly in Michael Azerrad\u2019s 2001 book on the 80s alternative underground, Our Band Could Be Your Life. But for Bob Mould, H\u00fcsker D\u00fc was his life \u2013 and going on the stories, tales of financial penury, addiction and interminable band squabbling, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":93,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[119,103,120,285],"class_list":["post-92","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","tag-bbc","tag-music","tag-review","tag-sugar"],"_links":{"self":[{"href":"https:\/\/theguitar.rocks\/index.php?rest_route=\/wp\/v2\/posts\/92","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theguitar.rocks\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theguitar.rocks\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theguitar.rocks\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/theguitar.rocks\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=92"}],"version-history":[{"count":0,"href":"https:\/\/theguitar.rocks\/index.php?rest_route=\/wp\/v2\/posts\/92\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theguitar.rocks\/index.php?rest_route=\/wp\/v2\/media\/93"}],"wp:attachment":[{"href":"https:\/\/theguitar.rocks\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=92"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theguitar.rocks\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=92"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theguitar.rocks\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=92"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}